FLYING CREAM
series
He who burns the witch burns the forest.
installations · performances · video · web essay · publication
The starting point was the physiological, botanical, chemical and ecological knowledge implicit in historical descriptions of the administration of the Flying Ointment in European witchcraft. For centuries, a veil of censorship has shrouded knowledge about hallucinogenic plants and vulvas, attempting to erase them from kitchens, bedrooms, public squares and discourse.
The Flying Cream I developed refers to the ointment attributed to premodern European witches, but it does not seek to reconstruct it. It questions an epistemicide and a spiritual genocide, entering the body and stimulating memory.Flying Cream was created during an arts-science residency at Génialis, a company based in Henrichemont. The cream we formulated addresses vaginal dryness caused by menopause, chemotherapy, certain medications or testosterone-based hormone treatments. It is also intended for the neo-vaginas of trans women and for anuses longing for caresses — a cream designed to break the silence that pathologizes our pleasure.
Life is an exuberant, trans-species entanglement which manifests all types of intelligence.
Europe has forgotten its witches' ointment.
Formulation of Flying cream: aniara rodado and Société Genialis.
With support from: Ursulab; Houloucène & Antre-Peaux, Bourges; Ministry of Culture DRAC France; the Arts and Sciences Chair of École Polytechnique and École Nationale Supérieure des Arts Décoratifs-PSL; The Daniel and Nina Carasso Foundation; IDEM collectif & festival Transform, Marseille.
Flying Cream — Installation
Against Witch Washing — Manifesto & Fanzine free edition upon request → Contact
21 People, 21 Days — Collective Performance & Fanzine
Against Witch Washing — Video-Choreographic Installation
Flying Ointment: Material Memory of an Epistemicide? — Web Visual Essay
Flying Cream — Interactive Stage Performance